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Paganini’s Prison Life

Paganini's Prison Life The Etude Magazine. October, 1900
When Paganini paid his first visit to Paris, he was amazed (and perhaps not a little pleased) to be confronted at every turn by the most ludicrous caricatures of himself. But what particularly impressed him was a picture representing him in his lonely cell expiating his crime at the altar of his beloved art.
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Musical Items

The Etude Magazine. October, 1900
There is still living in Vienna an old lady in her ninety-first year who sang in the chorus at the first performance of Beethoven’s “Choral Symphony.”
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Musical Items

The Etude Magazine. June, 1903
An Italian composer, Gallignani, director of the conservatory at Milan, has written a large choral work with the Latin title, “Quare” or “Wherefore.” The titles of the sections of the work are “Humanity,” “The Stoics,” “The Epicureans,” “Skeptics and Atheists,” “Mystic Chorus,” “Song of the Sun,” and “Invocation to Supreme Love.”
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The Influence of Our Composers Upon Vocal Art in America.

The Etude Magazine. June, 1903
Art becomes national, it seems to me, only when it expresses the egotism of the race. There must be a subconscious certitude of being before there is the impulse to voice those sentiments which individualize a nation.
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The Making of an Artist: A Second Talk with Mark Hambourg

The Making of an Artist: A Second Talk with Mark Hambourg The Etude Magazine. June, 1903
“A certain amount of nervous anxiety prior to appearing is really necessary to the securing of a good performance, but this phase of nervousness and stage-right, which is an unnecessary condition, are widely opposite. To my way of thinking, and speaking from experience, if one thoroughly knows a thing—and none should think of performing anything in public that he has not completely grown into—stage-fright is an entirely unnecessary condition.”
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Music-Clubs and Their Pitfalls

The Etude Magazine. September, 1902
It can hardly be said that the clubs are getting ready for work, for as yet those who give the most active work and thought to the welfare of these organizations are resting up for the coming season. The growth of the musical-club fad, if so beneficial a function may be termed a fad, is nothing short of remarkable.
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Sir Alexander Campbell Mackenzie and the Royal Academy of Music, London.

The Etude Magazine. September, 1902
The composer is worse off than any other branch. If he writes the highest and best, he cannot publish, and he must teach or sing low to get a living. The music now published, however, is much better than was the case in the past, and there has been a great awakening and extraordinary change in the last fifteen years.
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Questions and Answers.

The Etude Magazine. September, 1902
The question received relating to accompanying singers was so pertinent to present conditions that I have made an extended allusion to it in the article heading this department. Ida H.—The Baritone, when singing from a treble score, pitches his voice…
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How the Voice Looks.

The Etude Magazine. September, 1902
Prof. E. W. Scripture contributes an article entitled “How the Voice Looks” to a recent number of the Century. Professor Scripture is director of the Psychological Laboratory of Yale University, and if his views are accepted there promises to be…
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Operatic Voices.

The Etude Magazine. September, 1902
W. J. Henderson clears  up some of the fog of adulation that exists around the present-day opera-singers. He writes in his department of the New York Times: The unthinking worship of the opera-singer has its origin in the supposition that…
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Why Am I So Stupid?

The Etude Magazine. September, 1902
This question was asked me some time ago by a pupil who for years had been singing with a very tightly constricted throat, so much so, that the quality was very harsh and poor, and there was very little power….
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Study in Phrasing. I.

The Etude Magazine. September, 1902
Because of the intimate relations of poetry and vocal music there is much light to be cast from verses upon tunes, and from tunes upon verses. As soon as we begin to set words in order, into feet, lines, and…
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The Technic of Vocal Expression. No. III. Tone-Connection.

The Etude Magazine. September, 1902
The principal varieties of tone-connection in singing may be classified as follows: Legato, Portamento, Marcato, and Staccato. The term Legato is from the Italian legare, to bind, and indicates a tone-connection where the pitch of one tone begins directly at…
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The Awakening.

The Etude Magazine. September, 1902
Some awakenings are gradual. The dream of success has not been a troubled dream, but a season of repose interspersed with moments of self-sacrificing effort. The gifts, however, were so abundant that even such efforts gave a respectable harvest of…
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Accompanying Singers.

The Etude Magazine. September, 1902
It is not easy to give directions for this most rare accomplishment. There are so many sides to it and conditions confronting it that a book could and should be written which would, as far as possible, exhaust the subject. Let us first consider the accompanist, and, because so many more women than men aim to succeed in this field, we will designate her as she.
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The Soloist

The Etude Magazine. February, 1903
THE SOLOIST.1 In the January issue of The Etude, under the caption of “Three Fields of Labor,” we touched upon the violinist’s hopes, his aims, and his ambitions, hinting at present conditions in the United States, and promising to take…
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Musical Items

The Etude Magazine. April, 1895
HOME. It is said the keys most used in composition are C, G, and F major, because they suit all instruments better. Henry Schradieck, the eminent violinist and teacher, long connected with the Leipsic Conservatory, has settled in New York….
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Impromptu Opinions of Prominent Musicians.

The Etude Magazine. May, 1895
1.  What instrument, in your judgment, produces the most musical music? 2.  What new fields has the future in store for musical composition? 3.  What is your opinion of the influence exerted upon the community by the German brass band,…
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Emil Sauer On “Practicing”—Brains As Well As Fingers.

The Etude Magazine. May, 1895
Some valuable hints for piano students were dropped by Herr Emil Sauer the other day in the course of an interview with a Manchester Evening Mail reporter. After recounting the principal incidents in his early career, the distinguished pianist spoke…
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Second Prize Essay - Musicians or Executants, Which?

The Etude Magazine. May, 1895
BY JOHN C. FILLMORE. Shall we make our piano pupils into musicians or shall we make of them only executants? This may seem to many a very absurd question. So it is, from any rational point of view. The prompt…
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Recently Posted Stories for Pianists

The Making of an Artist: A Second Talk with Mark Hambourg

June, 1903
"A certain amount of nervous anxiety prior to appearing is really necessary to the securing of a good performance, but this phase of nervousness and stage-right, which is an unnecessary condition, are widely opposite. To my way of thinking, and speaking from experience, if one thoroughly knows a thing--and none should think of performing anything in public that he has not completely grown into--stage-fright is an entirely unnecessary condition."
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Thorough Practice.

August, 1891
It is said that one of the most eminent lady American pianists (Mme. Rive King) owes her great command of the resources of the keyboard to a somewhat strange and rigorous style of practice. The system seems to be also...
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Paderewski and Liszt. - July, 1893
On the Use of the Damper Pedal. - July, 1893
Basic Principles in Pianoforte Playing, Part IV - JOSEF LHEVINNE - January, 1924
Praise of a Poor Piano - A Paradox - By Eugenio Pirani - January, 1924
Basic Principles in Pianoforte Playing, Part III - Josef Lhévinne - December, 1923
Basic Principles in Pianoforte Playing - Josef Lhévinne - November, 1923
Should Piano Playing Undergo a Radical Reform? - Vladimir de Pachmann - December, 1923
Liszt as Pianist and Piano-Composer. - May, 1902




Recently Posted Stories About Composers

Robert Schumann—Poet.

July, 1893
Poetic, Schumann ever was. Poetic by nature and by culture. Poetic in his work both as composer and as criticiser of the works of others. Poetic in his every thought--every idea. And this poetic spirit he infused into the music of his time, and cultivated it wherever and in whomsoever he found it. And it is for this that I have called him "Robert Schumann--Poet," and it is as poet that I shall here regard him.
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The Humor of Richard Wagner - Written Expressly for The Etude by the Son of the Great Master - SIEGFRIED WAGNER

January, 1924
The underlying trait of my father's character was a lofty artistic earnestness. Along with this, however, there poured forth an illuminating humor and a sunny happiness which, notwithstanding the difficult life situations and the disappointments, rarely resolved into satire or irony.
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The Writing of the “Requiem.” - December, 1898
Notes on the Works of Some Living Composers - July, 1893
Liszt as Pianist and Piano-Composer. - May, 1902
Liszt, the Musical Liberal - May, 1902
Liszt as a Musical Influence. - May, 1902
Victorious Liszt. - May, 1902
Robert Schumann on Liszt’s Playing. - May, 1902
Transcriptions for the Piano by Franz Liszt. - May, 1902




Recently Posted Musicology Content

A Short Sketch of Music in America - By JAMES FRANCIS COOKE

July, 1910
Musical History is really an extremely interesting subject when the matter is presented in a thoroughly understandable manner. The object of the work of which the following is one of forty story lessons is to make the subject of musical history accessible to the beginner and at the same time inviting and inspiring. The work is designed for adults as well as young people, the only distinction being its simplicity and popular style.
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Finck’s New Biography of Wagner.

July, 1893
That Hanslick and his fellow critics were stupid will now be generally, although not universally, admitted. The Wagnerian music-drama has now made its way to genuine popularity. There are thousands of men and women who find in it greater evidence of genius and more of inspiring, uplifting power than in any other music whatsoever.
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The Development of Music in the South During the Past Twenty Years. - July, 1901
The Humor of Richard Wagner - Written Expressly for The Etude by the Son of the Great Master - SIEGFRIED WAGNER - January, 1924
Usefulness Of Some Recent Composition - JAROSLAW DE ZIELINSKI. - July, 1897
Famous Musical Women of the Past. - November, 1918
Dr. William Mason - The Nestor of American Musicians. - October, 1901
Methods and Customs of the Paris Conservatoire - February, 1910
Analysis and Logic in Music. - July, 1893
Mozart as a Worker. - December, 1901




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