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      <title>&quot;The Etude&quot; Music Magazine</title>
      <link>http://etudemagazine.com/etude/</link>
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      <language>en-us</language>
      <copyright>Copyright 2012</copyright>
      <lastBuildDate>Sun, 01 Nov 1925 23:00:43 -0500</lastBuildDate>

      
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         <title>Questions and Answers - May, 1901</title>
         <description><![CDATA[E. S. A.&mdash;The Chopin &ldquo;Etudes,&rdquo; opus 25, may be taken up in the following succession: Nos. 2, 3, 1, 7, 4, 5, 10, 6, 8. H. M.&mdash;The movement of common chords is generally free within the circle of related keys, for example. C, G, F, major, and A, E, D,...]]></description>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers. - April, 1895</title>
         <description>[Our subscribers are invited to send in questions for this department. Please write them on one side of the paper only, and not with other things on the same sheet. In Every Case the Writer&apos;s full Address must be Given, or the questions will receive no attention. In no case...</description>
         <link>http://etudemagazine.com/etude/1895/04/questions-and-answers-47.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers. - July, 1901</title>
         <description><![CDATA[R. A.&mdash;In playing a finger-exercise or scale the fifth finger should be raised, using the first joint only; so that the tip of the finger is immediately above the center of the key, the second and third joints preserving the proper curve of the finger as it falls upon the...]]></description>
         <link>http://etudemagazine.com/etude/1901/07/questions-and-answers-46.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers. - April, 1901</title>
         <description><![CDATA[L. M. P.&mdash;If you have already acquired an assured technic under the Mason system, there is no particular reason why you should take up the clavier system. The clavier itself, however, is of unquestionable value in technical practice, especially in foundation-work; but if you have pursued a Mason course faithfully...]]></description>
         <link>http://etudemagazine.com/etude/1901/04/questions-and-answers-43.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers. - July, 1897</title>
         <description>2.	If this means to convert tone vibrations into color vibrations by increased rapidity, there is no known way of doing it. Tones are propagated by waves of air; but light is believed to travel along waves of ether. Perhaps our correspondent refers to the sympathetic action of light upon tone as shown by the photophone. This is a circular disk with slots around the edge. A ray of light is directed through one of these holes, and as the disk is turned the ray passes successively through each hole, beating rapidly upon a glass tube filled with some substance or other. Presently the tube gives forth a musical tone, more or less resonant according to the material used.</description>
         <link>http://etudemagazine.com/etude/1897/07/questions-and-answers-42.html</link>
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         <title>Questions and Answers - November, 1901</title>
         <description><![CDATA[L. M. T.&mdash;There is no one work which goes exhaustively into the subjects you mention. Grove's "Dictionary of Music and Musicians" is very full, but it does not give the pronunciation of proper names and musical terms. Riemann's "Dictionary," in one volume ($4.50, postage paid), is very full, and the...]]></description>
         <link>http://etudemagazine.com/etude/1901/11/questions-and-answers-41.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers. - July, 1893</title>
         <description>Get the pupil to realize that she is to use a certain mechanical movement, not to play certain notes; it is how and not what she is to do. Perhaps the pupil is timid and over-much fears to make a mistake. She should know that a good, lusty blunder now and then is better than continual namby-pamby correctness.</description>
         <link>http://etudemagazine.com/etude/1893/07/questions-and-answers-39.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers - October, 1901</title>
         <description><![CDATA[M. R. B.&mdash;You can get information about musical scholarships by applying to Carl Ziegfeld, secretary of the Chicago Musical College, 202 Michigan Boulevard, Chicago, Ill. C. T. L.&mdash;In a number of works for vocal students, especially the foreign editions, the syllable names are used according to the &ldquo;fixed do&rdquo; system,...]]></description>
         <link>http://etudemagazine.com/etude/1901/10/questions-and-answers-38.html</link>
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         <title>Questions and Answers - January, 1902</title>
         <description><![CDATA[E. F.&mdash;1. The accent in rag-time ordinarily falls on the beat that should have the accent regularly. In many cases, however, a special accent is marked to make the syncopation more distinct. 2.&nbsp; The execution of a note with the regular accent mark &gt; over it and a staccato dot...]]></description>
         <link>http://etudemagazine.com/etude/1902/01/questions-and-answers-37.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers - December, 1901</title>
         <description><![CDATA[G. L.&mdash;In singing hymn-tunes, or other music for four parts, if the prevailing character be harmonic, the soprano should be more prominent than the other three parts, as in "Nearer, my God, to Thee," for example. But if it be more polyphonic in char&shy;acter any one of the other voices...]]></description>
         <link>http://etudemagazine.com/etude/1901/12/questions-and-answers-36.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers - July, 1902</title>
         <description><![CDATA[E. C.&mdash;When a perfect fifth is altered by lowering the upper note or raising the lower, the resulting interval is called a diminished fifth; by some writers the term "imperfect" fifth is recommended. There is no such term as "minor" fifth. H. H. P.&mdash;Heacox's work on "Ear-Training," pub&shy;lished by Theodore...]]></description>
         <link>http://etudemagazine.com/etude/1902/07/questions-and-answers-35.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions and Answers - May, 1902</title>
         <description><![CDATA[F. S.&mdash;1. Emil Sauer is in charge of the classes in artistic piano-playing in the Vienna Conservatory. To enter one of his classes a pupil must have had quite advanced training. 2. By writing to the conservatory you can learn about terms and other information. &nbsp; K. D.&mdash;An accidental in...]]></description>
         <link>http://etudemagazine.com/etude/1902/05/questions-and-answers-33.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions &amp; Answers. - November, 1887</title>
         <description>The Digitorium is an apparatus for exercising and strengthening the fingers, intended especially for the use of pianists, but claimed by its inventor, Myer Marks, to be of great service to all who require flexible and well-trained fingers.
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         <link>http://etudemagazine.com/etude/1887/11/questions-answers-22.html</link>
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         <title>Questions &amp; Answers - February, 1901</title>
         <description>When the muscles and tendons of the hand have become strained, the condition is a serious one, and care must be exercised to avoid permanent disability. A physician would naturally, as in your case, advise rest. Yet this difficulty has existed before and has been conquered. </description>
         <link>http://etudemagazine.com/etude/1901/02/questions-answers-21.html</link>
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         <category>Q&amp;A</category>
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         <title>Questions &amp; Answers - March, 1900</title>
         <description><![CDATA[M. D.&mdash;Does composition require constant practice? Ans.&mdash;Decidedly. Like literary composition, painting, chess, surgery, and every other human activity, musical composition requires constant practice. Composers will tell you that if they neglect to exercise their musical invention, their ideas will come very sparingly. The source of inspiration will run dry, as...]]></description>
         <link>http://etudemagazine.com/etude/1900/03/questions-answers-20.html</link>
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